This series explores color, form, and spatial tension through constructed tableaus of paper. I compose temporary sculptural “arrangements” and photograph them under artificial light. The resulting images are both documents and distortions—capturing a specific material moment while introducing chromatic shifts and edge disruptions that push the forms toward abstraction.

The process is grounded in both play and precision. The compositions evoke landscape and architecture without settling into representation. What interests me is that
in between state when flatness begins to suggest depth, when a shape becomes a gesture.

These works consider the photograph as a surface—a space where constructed color relationships create rhythm, friction, and softness. I hope they offer a kind of visual breath—moments of light, texture, and geometry held gently in suspension.