This series explores the tactile vocabulary of color, form, and spatial tension through constructed tableaus of paper and pigment. I compose temporary sculptural arrangements and photograph them under artificial light. The resulting images function as both documents and distortions—capturing a specific material moment while introducing chromatic shifts and edge disruptions that push the forms toward abstraction.

The process is grounded in play and precision. I respond intuitively to how light grazes a fold or how a cut edge breaks a plane. The compositions evoke landscape and architecture without settling into representation. What interests me is that in-between state—when flatness begins to suggest depth, when a shape becomes a gesture.

These works consider the photograph as a surface—a space where constructed color relationships create rhythm, pause, friction, and softness. I hope they offer a kind of visual breath—moments of light, texture, and geometry held gently in suspension.